Growing up, my Nana had about 6 DVDs in her house and no cable. That meant myself and my brother spent our formative years watching the same movies every weekend in a rotation. In my Nana’s collection was: Fern Gully (a child’s cartoon film about deforestation in the amazon that was equal parts campy and depressing), every single Austin Powers movie, The Santa Claus, Nightmare before christmas, and Beetlejuice.
I found out too late about a Beetlejuice pop up bar in Manhattan once and mourned for months on end. My nonstop whining about the missed experience gave Rosana an idea for a Christmas present- tickets to the live Beetlejuice broadway play.
She kept it a secret until the day before, and I was truly shocked. The day of the play, I wore a full blown dress and spent an hour trying to create an age appropriate look with the CVS makeup I had on hand. I had been very seriously depressed for the entire month of December, so wearing makeup and showering were leaps and bounds beyond my usual daily routine at that time. I felt energetic and excited for the first time in months.
We got dinner first at a restaurant that was VERY quick to refill our wine glasses, and I miraculously made it through all three courses without spilling any on my outfit. I was tipsy, and walking through midtown at night on Broadway made me emotional. I had honestly forgotten what happy felt like.
We spent $50.00 within the first 10 minutes of arriving to the theatre on two giant refillable red wine “collectable” tankards. Once we sat down, I realized I hadn’t even bothered to look up any reviews or previews of the play online. I had seen the Beetlejuice movie 50,000 times, and if it was even half as campy as the movie I knew, I would be a satisfied customer. As the curtains opened, I squeezed Ro’s hand and looked forward to watching a play where I knew exactly what was going to happen and sing along with all the words I already knew.
Boy was I wrong.
The first thing that clued me into the fact that this version of Beetlejuice might not be exactly like the movie was that the play began at a funeral, Lydia’s mom’s funeral to be exact. The mom is never mentioned in the movie, you just know the dad is the primary caretaker. After the funeral based intro, the couple (Adam and Barbara) die in a different way than they do in the movie, albiet a hilarious one…another red flag.
I was still hopeful though, how much more could they change? Beetlejuice was still portrayed as a gross demon, and the green, black and white color theme was still very prevelant. The songs were catchy and the actors were hilarious. I was laughing so hard during Beetlejuice’s prologue that I didn’t realize I had finally managed to spill some red wine on my outfit.
Then, while I sipped on my second $25 liter of wine, the stage lights went from bright and colorful to grey and gloomy. I was getting closer to drunk than tipsy at this point, and had NOT clued into what the main theme of the play was yet.
At first I thought I misheard the actress playing Lydia. She can’t be saying “Dead mom”… can she? Who writes a song called “dead mom?” As I was trying to work out what was going on, Rosana realized what was happening. The amount of sheer terror on her face as she whipped around to look at me was enough to confirm that what we were about to experience was going to be emotionally distressing.
Here’s the thing. Sometimes in life, when you least expect it, you are forced to listen to a 5 minute song all about your specific version of childhood trauma, with your very unprepared partner, while way too wine drunk in a theatre.
If the song was simply about how much Lydia missed her mom, I probably would have gotten teary eyed and whined to Rosana about it later, but that wasn’t the point of the song. Lydia sings the song because she is BEGGING her mom to send her a sign. Turns out- the entire play was about Lydia summoning Beetlejuice so she can find her deceased mother on the other side and make sure she’s okay.
I didn’t see that one coming and it got me.
Since December 11th 2001, I have asked my mom for a sign.
A sign she’s okay, that she’s out there somewhere, that she made it somewhere nice, and safe. somewhere sunny and warm. That she has her long hair back and has enough space to jump around to Shania Twain. I need to know she’s up there in the sky somwhere, or here, or somewhere I can find her eventually.
I have asked for big signs: messages written somewhere for me to find, visitations in my dreams, full spectral apparitions.
I’ve also asked for little signs, such as: “if I roll these dice and they’re both fours I’ll know you’re okay.”
I’ve gotten angry and given up for months at a time, swearing to stop asking for something that isn’t possible from someone who no longer exists. I’ve gotten desperate, screaming at the air that it’s unfair, that she’s a bitch for ignoring me, for leaving me here. But, I always end up searching for her again in moments of silence. Before bed, in the waiting room at the doctors office, sitting at the bus stop waiting for the 64 bus.
“If you’re okay, squeeze my hand. I’ll know its you.”
“If you can hear me, leave me a note on this post-it. I’ll put it on my dresser before bed. Nothing big, just hi. or a smiley face”
“If you’re out there help me calm down. Please help me catch my breath. Just for a little while. I’m freaking out and I need you”
“If you’re alright, slam my bedroom door. All you have to do is slam it shut. It’s okay, I won’t be scared”
I thought I was the only one out there who did this. I felt stupid, and alone, and crazy. Hearing the dead mom song both traumatized and freed me. It made me realize maybe I’m not the only one spending the last 5 minutes before I fall asleep searching the darkness for a familiar face or leaving post it notes around my room for dead people to write on.
Needless to say, I lost it at the theatre. The college girls sitting to my left probably thought I was psychotic, but Rosana did a good job muffling my sobs with her sweater while she force fed me popcorn to try and counteract the wine.
The rest of the play was phenomenal, despite triggering years of trauma. I left the theatre hungover physically and emotionally.
I don’t know if I will ever get a sign, and maybe just like Lydia in Beetlejuice I might accidentally summon a demon in my pursuits, but that doesn’t mean I’m not going to keep trying.
If you’re out there – get back to me when you can. I’m here. I’ll be waiting.
A note would be nice. Just hi is enough.
Post playlist:
“Dead mom” – Sophia Anne Caruso
“over you” – Miranda Lambert











